Dear Asiatic Light Supporter,
Recently Asiatic Light Micropress completed a merger and became an imprint of Supreme Design Publishing. We are happy to report that the transition to creating the new Asiatic Light Micropress is underway. Through entering into a merger with Supreme Design Publishing we are building a stronger, more resilient press that will be a leader in providing titles of unique value that you won't be able to find anywhere else in the world.
Additional services and product improvements we have realized through the merger will be announced in the future. Also, over the coming months you will see a new look for us on all fronts. Rest assured that our current level of service will not be negatively effected.
Please direct any questions that you may have about the merger or Asiatic Light Micropress in general to asiaticlight@gmail.com.
On behalf of everyone at the new Asiatic Light Micropress, we would like to thank you for your business. We are committed to building a new kind of press that addresses the needs of the new independent authors of this new world.
Peace,
C'BS ALife Allah
Maker and Owner
Asiatic Light Micropress
An imprint of Supreme Design Publishing.
Tuesday, June 23, 2009
Thursday, June 4, 2009
Pre-Order Copies of Knowledge of Self: A Collection of Writings on the Science of Everything in Life
Do you know who - and what - you are? Do you know who you're meant to be? Do you know how to find the answers to questions like these? Knowledge of Self is the result of a process of self-discovery, but few of us know where to begin when we're ready to start looking deeper. Although self-actualization is the highest of all human needs, it is said that only 5% of people ever attain this goal. In the culture of the Nation of Gods and Earths, commonly known as the Five Percent, students are instructed that they must first learn themselves, then their worlds, and then what they must do in order to transform their world for the better. This often intense process has produced thousands of revolutionary thinkers in otherwise desperate environments, where poverty and hopelessness dominate. Until now, few mainstream publications have captured the brilliant yet practical perspectives of these luminary men and women. Knowledge of Self: A Collection of Writings on the Science of Everything in Life presents the thoughts of Five Percenters, both young and old, male and female, Black and white, in their own words. Through essays, poems, and even how-to articles, this anthology presents readers with an accurate portrait of what the Five Percent study and teach, as well as sound direction on how to answer timeless questions like: Who am I, and why am I here? Why is there so much injustice in the world, and what can be done about it? Who is God and where on Earth is he? How do I improve myself without losing myself? Why are people of color in the situations they're in? What can we do about the global problems of racism and poverty?
$9.95 + shipping and handling.
Check out the official site at http://knowledgeofself.viviti.com/
$9.95 + shipping and handling.
Check out the official site at http://knowledgeofself.viviti.com/
Tuesday, May 26, 2009
Oh yeah...they're coming
So we've been quiet for a minute. Yes I know. The exciting news is that we are about to enter an exciting phase for Asiatic Light Micropress. We are coming up on our publication of "The Knowledge of Self Anthology", and two other books of poetry. Please stay tuned here as more is being revealed in the coming days.
Monday, March 2, 2009
The Fib and Cadae (short poetry forms)
It appears that new forms pop up all of the time now. In response to the great power of the Haiku many American writers have generated new modern terse forms. This has led to the Cinquain and the Pinoy inspired haiku form the hay (na) ku.
Seeing the relationship between proportion and beauty there are two form that have been inspired by mathematical equations, the Fib and Cadae.
The following is from wikipedia.
Fib is an experimental Western poetry form bearing similarities to haiku[1], but based on the Fibonacci sequence. The classic fib is a six line, 20 syllable poem, with as many syllables per line as the line's corresponding place in the Fibonacci sequence.[2] The only restriction on a Fib is that the syllable count follow the Fibonacci sequence. An example of a classic fib:
“ One
Small,
Precise,
Poetic,
Spiraling mixture:
Math plus poetry yields the Fib.
„
— Pincus, Gregory K. , GottaBook: The Fib. Retrieved on 28 July 2006
Cadae is an experimental Western poetry form similar to the Fib. While the Fib is based on the Fibonacci sequence, the cadae is based on the number Pi. The word "cadae" is the alphabetical equivalent of the first five digits of Pi, 3.1415.[1]
The form of a cadae is based on Pi on two levels. There are five stanzas, with 3, 1, 4, 1, and 5 lines each, respectively. Each line of the poem also contains an appropriate number of syllables. The first line has three syllables, the second has one, the third has four, etc
Both form lend their self to alot of experimentation and play.
Seeing the relationship between proportion and beauty there are two form that have been inspired by mathematical equations, the Fib and Cadae.
The following is from wikipedia.
Fib is an experimental Western poetry form bearing similarities to haiku[1], but based on the Fibonacci sequence. The classic fib is a six line, 20 syllable poem, with as many syllables per line as the line's corresponding place in the Fibonacci sequence.[2] The only restriction on a Fib is that the syllable count follow the Fibonacci sequence. An example of a classic fib:
“ One
Small,
Precise,
Poetic,
Spiraling mixture:
Math plus poetry yields the Fib.
„
— Pincus, Gregory K. , GottaBook: The Fib. Retrieved on 28 July 2006
Cadae is an experimental Western poetry form similar to the Fib. While the Fib is based on the Fibonacci sequence, the cadae is based on the number Pi. The word "cadae" is the alphabetical equivalent of the first five digits of Pi, 3.1415.[1]
The form of a cadae is based on Pi on two levels. There are five stanzas, with 3, 1, 4, 1, and 5 lines each, respectively. Each line of the poem also contains an appropriate number of syllables. The first line has three syllables, the second has one, the third has four, etc
Both form lend their self to alot of experimentation and play.
Labels:
poetry
Monday, February 9, 2009
Poet of the week: Muhammad Iqbal
He is Pakistan's national treasure. The great Poet Iqbal. He is to Pakistan as Shakespeare is to the English world. He was a poet, philosopher, and politician. To read more about his history you can check here.
To me, in the poetic realm he was influencial because he spoke of aligning the Self to the great will which he refered to as Allah. It definitely had elements of man as God because his writings reflected the notion that the universe bowed to the the will of Self. That is what is attractive to me. He illuminated my world view through the work of poetry and imbuded my 'atheism' with an element of sacredness.
His works are numerable Here is one of his poems
Selfhood can demolish the magic of this world; (from Baal-i-Jibreel)
Selfhood can demolish the magic of this world;
But our belief in The One is not comprehended by all.
Have a seer's eye, and light will dawn on thee;
As a river and its waves cannot remain apart.
The light of God and knowledge are not in rivalry,
But so the pulpit believes, afraid of Hallaj's rope.
Contentment is the shield for the pure and the noble
A shield in slavery, and a shield in power.
In the East the soul looks in vain for light;
In the West the light is a faded cloud of dust.
The fakirs who could shatter the power and pelf of kings
No longer tread this earth, in climes far or near.
The spirit of this age is brimful with negations,
And drained to the fast drop is the power of faith.
Muted is Europe's lament on its crumbling pageant,
Muted by the delirious beats, the clangour of its music.
A sleepy ripple awaits, to swell into a wave
A wave that will swallow up monsters of the sea.
What is slavery but a loss of the sense of beauty?
What the free call beautiful, is beautiful indeed.
The present belongs to him who explores, in their depths,
The fathomless seas of time, to find the future's pearl.
The alchemist of the West has turned stone into glass
But my alchemy has transmuted glass into flint
Pharaohs of today have stalked me in vain;
But I fear not; I am blessed with Moses' wand.
The flame that can set afire a dark, sunless wood,
Will not be throttled by a straw afloat in the wind.
Love is self-awareness; love is self-knowledge;
Love cares not for the palaces and the power of kings.
I will not wonder if I reach even the moon and the stars,
For I have hitched my wagon to the star. of all stars.
First among the wise, last of the Prophets,
Who gave a speck of dust the brightness of the Mount.
He is the first and last in the eyes of love;
He is the Word of God. He is the Word of God.
To view some more of his poetry check here
To me, in the poetic realm he was influencial because he spoke of aligning the Self to the great will which he refered to as Allah. It definitely had elements of man as God because his writings reflected the notion that the universe bowed to the the will of Self. That is what is attractive to me. He illuminated my world view through the work of poetry and imbuded my 'atheism' with an element of sacredness.
His works are numerable Here is one of his poems
Selfhood can demolish the magic of this world; (from Baal-i-Jibreel)
Selfhood can demolish the magic of this world;
But our belief in The One is not comprehended by all.
Have a seer's eye, and light will dawn on thee;
As a river and its waves cannot remain apart.
The light of God and knowledge are not in rivalry,
But so the pulpit believes, afraid of Hallaj's rope.
Contentment is the shield for the pure and the noble
A shield in slavery, and a shield in power.
In the East the soul looks in vain for light;
In the West the light is a faded cloud of dust.
The fakirs who could shatter the power and pelf of kings
No longer tread this earth, in climes far or near.
The spirit of this age is brimful with negations,
And drained to the fast drop is the power of faith.
Muted is Europe's lament on its crumbling pageant,
Muted by the delirious beats, the clangour of its music.
A sleepy ripple awaits, to swell into a wave
A wave that will swallow up monsters of the sea.
What is slavery but a loss of the sense of beauty?
What the free call beautiful, is beautiful indeed.
The present belongs to him who explores, in their depths,
The fathomless seas of time, to find the future's pearl.
The alchemist of the West has turned stone into glass
But my alchemy has transmuted glass into flint
Pharaohs of today have stalked me in vain;
But I fear not; I am blessed with Moses' wand.
The flame that can set afire a dark, sunless wood,
Will not be throttled by a straw afloat in the wind.
Love is self-awareness; love is self-knowledge;
Love cares not for the palaces and the power of kings.
I will not wonder if I reach even the moon and the stars,
For I have hitched my wagon to the star. of all stars.
First among the wise, last of the Prophets,
Who gave a speck of dust the brightness of the Mount.
He is the first and last in the eyes of love;
He is the Word of God. He is the Word of God.
To view some more of his poetry check here
Thursday, February 5, 2009
From Steven Barnes
This is a post from Steven Barnes. He is a black science fiction writer whom I highly respect as a WRITER and as a modern day Renaissance man. Listen to his words of wisdom. You can check out his daily postings at his blog at Dar Kush
N is for "Never Give Up"
I heard a story once--not certain whether it's true or apocryphal. It's said that WinstonChurchill was asked to give the commencementaddress at a British school. He mounted thestage, looked out at the audience of fresh young faces and said: "Never. Never. Never. Never. Never. Never. Never give up."
And sat down.
It's never, ever, ever been said better. In life,you should choose an occupation, a career, a livelihood that you feel that strongly about. Me? I'd rather fail as a writer than succeed at anything else. I've typed my fingers bloody, cried myself to sleep, wrestled with my demons,read until my eyes were bleary, sought out any and all advice or help I could find, whereverI could find it.
All because what I wanted, more than anythingin the world, was to be a writer. Most peoplecan't handle rejection, not realizing that rejection, in any arena from getting published seduction to sales (and aren't they all really just the same thing?), is just a numbers game. You have to get rejected twenty times forevery "yes" you get. Or thirty. Or fifty. Whatever.
The person who wins is the one who gets up to the plate one more time after hisheart has been broken. Who gets back on the horse after all his friends are wincingand limping back to the bunkhouse. Whoasks yet another girl to dance after a dozen have said "no."
It's a numbers game. When you start collecting rejection slips, keep a scrap-book. Paper your walls with the little suckers. Consider every "no" a victory--you are oneof the few with the guts to keep going afterit gets tough.
And make no mistake, it's going to be tough.Even writers who seem to have utterly charmed careers have their personal struggles, I promise you. They just don't wear theirhearts on their sleeves. You see the finishedproduct, not the hell they went through to produce it.
You must believe that your efforts will be rewarded, if your goals are clear, you workto the edge of your ability, tell the truth, continually improve your circle of allies, and have faith.
Go back over everything I've taught youabout the Hero's Journey. It is the combinedwisdom of all the world's elders, condensedto comprehensible form. While nothing andno one can promise you success, I can absolutely guarantee you failure:
Just roll over and give up. That'll do it.
N is for "Never Give Up"
I heard a story once--not certain whether it's true or apocryphal. It's said that WinstonChurchill was asked to give the commencementaddress at a British school. He mounted thestage, looked out at the audience of fresh young faces and said: "Never. Never. Never. Never. Never. Never. Never give up."
And sat down.
It's never, ever, ever been said better. In life,you should choose an occupation, a career, a livelihood that you feel that strongly about. Me? I'd rather fail as a writer than succeed at anything else. I've typed my fingers bloody, cried myself to sleep, wrestled with my demons,read until my eyes were bleary, sought out any and all advice or help I could find, whereverI could find it.
All because what I wanted, more than anythingin the world, was to be a writer. Most peoplecan't handle rejection, not realizing that rejection, in any arena from getting published seduction to sales (and aren't they all really just the same thing?), is just a numbers game. You have to get rejected twenty times forevery "yes" you get. Or thirty. Or fifty. Whatever.
The person who wins is the one who gets up to the plate one more time after hisheart has been broken. Who gets back on the horse after all his friends are wincingand limping back to the bunkhouse. Whoasks yet another girl to dance after a dozen have said "no."
It's a numbers game. When you start collecting rejection slips, keep a scrap-book. Paper your walls with the little suckers. Consider every "no" a victory--you are oneof the few with the guts to keep going afterit gets tough.
And make no mistake, it's going to be tough.Even writers who seem to have utterly charmed careers have their personal struggles, I promise you. They just don't wear theirhearts on their sleeves. You see the finishedproduct, not the hell they went through to produce it.
You must believe that your efforts will be rewarded, if your goals are clear, you workto the edge of your ability, tell the truth, continually improve your circle of allies, and have faith.
Go back over everything I've taught youabout the Hero's Journey. It is the combinedwisdom of all the world's elders, condensedto comprehensible form. While nothing andno one can promise you success, I can absolutely guarantee you failure:
Just roll over and give up. That'll do it.
Thursday, January 29, 2009
Cobralingus
Jeff Noon has this to say about language.
"By reaching towards an imaginary literature, the post-future novel offers itself as a way forward. First of all, we have to accept that English writing has been far too slow in its adoption of avant-garde techniques, in comparison with popular music, art and films. The narrative fabric of the latest cult movie is woven through with jump cuts, freeze-frames, montage, slow motion shots, tracking shots, hand-held camera techniques, and the like. House, hip-hop and garage recordings contain elements of remixing, scratching and sampling.
We can also look at the branching narratives of computer games, at the strange connections that hypertext links reveal on the internet, at the games played with image and text in a graphic novel.
All of these are fluid mediums, for a fluid society. Set against such material, no wonder the contemporary novel seems moribund. As writers, we need to open ourselves up to this fluidity. What are the prose equivalents of the tracking shot, the hyperlink, the remix, the freeze-frame? As readers, we need to bring the expertise we use when enjoying a film or a piece of visual art into our appreciation of the novel." (originally published at http://books.guardian.co.uk/departments/generalfiction/story/0,6000,420328,00.html)
Interestingly enough he actually comes up with a set of techniques to experiment with language differently. He calls it the Cobralingus Engine.
You can see an example of it at these various sites. Experiment with this process. I am still experimenting with it myself.
Filter Gates
Animated Cobralingus site
Subscribe to:
Posts (Atom)